The House Of Pere Lacroix In Auvers, 1873

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Cezanne Paintings

1839 - 1906 Painter, France, Impressionism

The House of Pere Lacroix in Auvers, 1873

Oil on canvas, 61x50 cm

National Gallery of Art, Washington

Landscapes

The bright hues and quickly worked brushstrokes in The House of Pere Lacroix in Auvers reveal t

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Cezanne Paintings

1839 - 1906 Painter, France, Impressionism

The House of Pere Lacroix in Auvers, 1873

Oil on canvas, 61x50 cm

National Gallery of Art, Washington

Landscapes

The bright hues and quickly worked brushstrokes in The House of Pere Lacroix in Auvers reveal the effect of Pissarro’s influence. Greens and yellows contrast in the foreground, and multihued vertical drags of the brush recreate watery reflections. Cool shadows contrast with the orange of a tiled roof. Light emphasizes the blond planes of the building, which is shaded with blues, greens, and mauves, and where broad strokes and heavier paint convey texture.
The elaborate signature and date are unusual in Cézanne’s painting. Perhaps Cézanne intended the painting for public exhibition—at the urging of Pissarro, three of his paintings were included in the first impressionist show—or for a patron. In 1873 Cézanne moved to the village of Auvers, where this was painted. It was near Pissarro’s home, and the two of them often worked side by side during 1873 and 1874. Auvers was also home to Dr. Gachet, a collector who would later care for the despairing Van Gogh. Cézanne may have hoped Gachet would purchase his The House of Pere Lacroix in Auvers, which was ignored by the public. Cézanne returned to Provence and, after inheriting his father’s large estate in 1886, largely abandoned efforts to promote his paintings. Cezanne did not realize commercial success until he was in his fifties.

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