Botticelli Paintings
1445 - 1510 Italy, Early Renaissanse
The Punishment of Korah, 1481-1482
Fresco , 137.2 x 224.41 inches [348.5 x 570 cm]
Cappella Sistina, Vatican Religious Paintings
The fresco of Botticelli- The Punishment of Korah is from the cycle of the life of Moses in the Sistine Chapel. It is located in the fifth compartment on the south wall.
The message of this painting by Botticelli provides the key to an understanding of the Sistine Chapel as a whole before Michelangelo's work. The fresco, located in the fifth compartment on the south wall, reproduces three episodes, each of which depicts a rebellion by the Hebrews against God's appointed leaders, Moses and Aaron, along with the ensuing divine punishment of the agitators. On the right-hand side, the revolt of the Jews against Moses is related, the latter portrayed as an old man with a long white beard, clothed in a yellow robe and an olive-green cloak. Irritated by the various trials through which their emigration from Egypt was putting them, the Jews demanded that Moses be dismissed. They wanted a new leader, one who would take them back to Egypt, and they threatened to stone Moses; however, Joshua placed himself protectively between them and their would-be victim, as depicted in Botticelli's painting.
In the centre of the fresco Botticelli shows the rebellion, under the leadership of Korah, of the sons of Aaron and some Levites, who, setting themselves up in defiance of Aaron's authority as high priest, also offered up incense. In the background we see Aaron in a blue robe, swinging his incense censer with an upright posture and filled with solemn dignity, while his rivals stagger and fall to the ground with their censers at God's behest. Their punishment ensues on the left-hand side of the picture, as the rebels are swallowed up by the earth, which is breaking open under them. The two innocent sons of Korah, the ringleader of the rebels, appear floating on a cloud, exempted from the divine punishment.
The principal message of Botticelli is made manifest by the inscription in the central field of the triumphal arch: "Let no man take the honour to himself except he that is called by God, as Aaron was." The fresco thus holds a warning that God's punishment will fall upon those who oppose God's appointed leaders. This warning also contained a contemporary political reference through the portrayal of Aaron in the fresco, depicted wearing the triple-ringed tiara of the Pope and thus characterized as the papal predecessor. It was a warning to those questioning the ultimate authority of the Pope over the Church. The papal claims to leadership were God-given, their origin lay in Christ giving Peter the keys to the kingdom of heaven and thereby granting him privacy over the young Church. Perugino painted this crucial element of the doctrine of papal supremacy immediately opposite Botticelli's fresco.
